Oscar de la Renta is using my song Turn Me Out for their Spring/Summer 2013 men’s collection campaign. Cool, right?

2013 is looking pretty good so far, friends! You can watch the video here now.

Oscar de la Renta Spring / Summer Mens 2013 Campaign from Envision Studio on Vimeo.

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(Originally Published on QBlog and SMYRC on 12/5/2012)

The contestants for Season 5 of RuPaul’s Drag Race have been announced and our very own Jinkx Monsoon is one of them! Jinkx’s drag roots started at SMYRC, one of Q Center‘s LGBTQ Youth & Young Adult programs and drop-in center, and I had the chance to chat with her this week about her experience as a former SMYRC youth-turned-TV-star! Find our interview just below the videos…

Watch Jinkx Monsoon’s “Meet The Queens” video for RuPaul’s Drag Race Season 5 here:

Logan Lynn: Hey Jinkx! Thanks for taking the time to talk with me today! First off, Condragulations on your casting for Season 5 of RuPaul’s Drag Race. Was this the first time you had tried out for the show?

Jinkx Monsoon: This was the first time I tried out. I had been considering auditioning since season 2, but it just never felt right. When I watched Season 4 however, I became really inspired. Not only was I inspired by the intensely unique Sharon Needles, but also by Chad Michaels who competed the entire time with class and compassion. The season 4 cast contained so much variety and individuality, that I finally said to myself “why not go for it?” I woke up one morning and it just felt like it was what I had to do. From that moment on, I went full force with my audition material and I was determined to do my damnedest to get on that show.

LL: Ah, yes. Determination strikes again! In recent years you have made quite a name for yourself in the Seattle drag scene. Would you say that your drag career began at SMYRC’s drag night?

JM: My Drag career most definitely began at SMYRC. Ages ago, when I was a SMYRC youth, I liked to get involved with organizing some the community events. One year for our Queer Winter Formal, the theme was “Fairy Tale” or something of the like. I had put together a small drag show to happen in the middle of the dance and I decided that I would dress up as the Queen of Hearts (one of my first times in true drag) for the event. The response was quite positive and I felt empowered to see where this could go. I started doing drag more and more at SMYRC for open mic. nights and other events and soon I was a full fledged baby drag queen. I had to have a name, so I used my SMYRC nickname: Jinkx. And it just seemed to work. Soon I was performing at SMYRC, The Escape (The all ages gay night club) and at little events here and there. But SMYRC was my home. It gave me a place to experiment with drag in a loving, supportive, judgement free zone.

LL: That is such a special experience! What brought you to SMYRC initially?

JM: I came out at a very early age. I was about 14 in middle school when I came out and I had Read the rest of this entry »

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(Originally Published on Moviefone and The Huffington Post on 11/19/2012)

With Laika Studios releasing ParaNorman on 3D Blu-ray combo pack, Blu-ray combo pack, DVD, On Demand and digital download on Nov. 27, I decided to catch up with my old friend (and ParaNorman creator/director) Chris Butler. We chatted about his dream project coming to life, how this movie of his is changing the world, and why everyone needs to watch it at least twice.

Logan: Hey, Chris. Thanks so much for chatting with me today. For you, what is ParaNorman about?

Chris: I think mainly it’s about tolerance. It’s about how judging people is often misjudging people. The original seed of the idea was something as simple as “how cool would it be to make a stop-mo-animated zombie movie for kids?” and I think that had more to do with growing up on a gleeful diet of Ray Harryhausen creature features and cheesy horror movies. But then beyond that I started thinking that all the best zombie movies are really social commentary — zombies as metaphors. I had the lofty ambition of trying to do that on my movie, only making it a social commentary for kids. I think by far the hardest issue I faced as a child was “fitting in.” I was different, and when you’re a kid, “different” is considered “bad.” The world isn’t a tolerant place for people who don’t conform to the accepted norm. When I embraced that as the heart of the movie, the story really clicked. I wanted to juxtapose the fictional horror of the walking dead with the very real horror of what it is to be 11 years old and different.

Logan: Oh, God. Seriously. How long had this project been in the works?

Chris: I started writing it about 15 or 16 years ago. I kept returning to it over the years. There was something about it that just wouldn’t die, which I guess for a zombie movie is pretty appropriate.

Logan: Aww, it’s your baby!

Chris: This truly is my baby, from initial idea through first draft of the script to the finished movie. It’s a very personal project to me.

Logan: Clearly. I was also struck by the craft of it all. In a world of mass production and CGI, to see something so labor-intensive come to life is a real treat. Was it hard to convince people to come on board with your way of doing things instead of taking an easier animation route?

Chris: We’re an odd bunch in the stop-motion world. We live, breathe and fight for our medium. We love what we do, and for that reason this type of animation will always be around and will always attract amazingly talented people. I think there was a degree of passion among the crew for this project in particular that I don’t think I’ve seen before. Obviously, I’m biased, but I genuinely think people wanted to give this their all.

It was always conceived as stop-motion, right from day one. As soon as I saw the skeleton fight in Jason and the Argonauts as a kid, I knew that stop-motion was the best way to bring the dead back to life!

Logan: It’s really special, Chris. And clearly, Casey Affleck’s ginger character is based on me. If one of the characters in the film were based on you and your experience in the world, who would it be? Read the rest of this entry »

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Huge thanks to all 36 bands who donated their music to “Comp 175″ – A Benefit for Queer Programs & Services in the Pacific Northwest. I’m deeply moved by this community of generous, talented people and couldn’t be happier with how the record has turned out! It’s EPIC.

Please like our Facebook page, follow us on Twitter, and help us spread the word!

Featuring:
Logan Lynn
Peaches
Scream Club
Matt Alber
God-Des & She
Magic Mouth
Christeene
Tom Goss
Bobby Jo Valentine
Shunda K
Nicky Click
Brett Gleason
Jeremy Gloff
Houston Bernard
Kelly Moe
Atole
Mattachine Social
The Sexbots
Deluxe
Kimono Kops
Jeb Havens
Towering Trees
Noah Daniel Wood
Barbi Crash
Kerry Hallett
Blue Redder
Katrina Skalland
L10
Microfilm
Jana Fisher
A Million Tiny Architects
Matthew Mercer
Stephan Nance
Jonny
Alternate Destination
Marshall J. Pierce

Produced by Logan Lynn.

Pre-Order 11/6/2012.
Releases 11/27/2012.

Charity Info: All profits from this release go directly to Q Center, which operates both the LGBTQ Community Center and the Sexual & Gender Minority Youth Resource Center (SMYRC) in Portland, Oregon.

For more info on Q Center, visit www.pdxQcenter.org

For more info on SMYRC, visit www.SMYRC.org

About the album title: Section 175 was a provision of the German Criminal Code from 1871 to 1994, making homosexuality a crime. Over 140,000 people were convicted under the law. The Nazis broadened the law in 1935 and thousands died in concentration camps in the prosecutions that followed.

Today, all over the world, the fight for LGBTQ freedom and equality is not yet won. Your purchase of this record helps to ensure that the important work of this vital community resource continues.

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