Logan Lynn
 

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Stream The First Two Songs From Logan Lynn’s New Record Here First

Logan Lynn - We Will Overcome (2014)

In advance of a highly publicized festival showcase in Austin, Texas alongside Austra, Trust, Big Freedia and Mykki Blanco at Stargayzer Festival on Sunday, September 14th, Portland indie pop musician (and Dandy Warhols protégé) Logan Lynn is releasing the first two songs from his upcoming new record next week on 9.9.2014.  The full album is slated for release in 2015.

A departure from the electronic sound Lynn has built his career around, “We Will Overcome” finds Logan Lynn and his band in a more organic space, pulling on influences that range from Ziggy Stardust-era Bowie to Fun and Elliott Smith.

Lynn debuted this new sound last year when he released a critically-acclaimed cover of Miley Cyrus’ “We Can’t Stop”, which New York Magazine called “Dreamy” and “Guitar-heavy” and The Huffington Post described as “warm” and “bolder than the original”.  Since the release of “We Can’t Stop” Read the rest of this entry »

Heaven Adores You, Elliott Smith: An Interview with Filmmakers Nickolas Dylan Rossi and Kevin Moyer

Elliott Smith

A stunning new documentary, “Heaven Adores You“, about the life and music of Elliott Smith, has just started making the festival rounds. I had the pleasure of privately screening the film this past week in advance of upcoming public showings in Detroit and Portland, and I suggest you go see it the first opportunity you get.

The film is an intimate tribute to Elliott Smith’s greatness and light, told by his closest friends and collaborators, and woven through original music and stories from his time in Portland, New York City and Los Angeles. “Heaven Adores You” is a beautiful experience, start-to-finish — just as Elliott’s life was.

Watch the “Heaven Adores You” trailer, then read our conversation below.

Logan Lynn: I just finished the film, which I watched through a mix of tears and laughter – very appropriate for the man it is about, I’d say. The music is such a big piece of the story, and you used it expertly. How did you decide which songs to use?

Kevin Moyer: It was such an honor to be able to use Elliott’s own music, and of course it was also crucial for us because we have said all along we wanted the focus to be on his creative output rather than more sensational aspects of his life and death. But have to also show his life if you are intending to show Elliott progressing as an artist, so we did that again using the music as the anchor — as the tent poles for the journey. We take you through his life by using the music he created and the albums he released as the kind of life chapters or sections of the film, starting with music he made as a young kid in Texas all the way up to the album he was working on when he died. We you where he was at when creating each one and we used those physical and tangible artistic achievements as the musical check points to tell the story. We wanted to use stuff that would be new and interesting to the existing fans who can be very hardcore and already knowledgeable of almost everything he ever did, balanced with stuff that was already familiar to the casual fan who only slightly knew his music, and also include stuff that was accessible and representative for the people who had never heard his music at all. And we wanted to also show his progression as a song writer.

Moyer: You can feel his sound forming and his evolution as an artist as you move through the film. I got to look into the vaults of both labels (Universal and KRS) and spent a good amount of time with friend and Elliott archivist Larry Crane, too. Basically, I dug through lots and lots of music and then narrowed it down to just the stuff that that I thought would be interesting and most relevant for us to use — probably about 150 tracks or so — and then that’s what I brought to the team; stuff from both labels, as well as stuff from friends, his high school days, his childhood in Texas, tapes from rehearsals, live performances, alternate versions of studio recordings, etc. I slowly began sending them to Nickolas (Rossi) who was huddled up in New York editing the footage together to tell the story. Every morning for about two weeks I would send him a batch of tracks — usually stuff he had never heard before, two or three songs at a time — because I wanted to give them each space to breathe so they could each be considered on their own accord. With each one, I’d tell him how I felt it might fit with different things we were discussing, what energy or vibe it might bring, what the lyrics might help to showcase, and so on. On his end, Nickolas compiled all of what I was sending him and then he did the same and put them through his own creative filter…

Nickolas Dylan Rossi: The short answer of course, is that some of these tracks were chosen for personal reasons, some for utilitarian reasons, but more often than not, they were the melody and the words that paired best with the visuals for the feeling that I had experienced while listening to Elliott that I wanted to share with an audience. The music is one of the main characters in the film, as are the locations. Throughout the process making the film, Read the rest of this entry »

Logan Lynn + Other Stargayzer Festival Headliners Featured in Austin Chronicle and Austin 360 This Week

Logan Lynn Loud Face - Rehearsal at The Country Club - 2014

As you all know, my wild band boys and I will be flying to Austin, Texas for Stargayzer Festival this September to perform alongside all kinds of amazing folks. This week all 3 days of headliners were announced. Here’s that scoop:

Stargayzer Headliners

As you can see, we’re playing on Sunday the 14th, but we will be at the festival all 3 days. Get tickets and passes HERE.

This week, both the Austin Chronicle and Austin 360 covered the festival’s location change to downtown Austin (instead of a Ranch with no shade) as well as announcing said headliners. Click on the logos below to check out the articles:

6a0115703e9441970c01a3fcdc9c10970bAUstin 360

Logan Lynn Cover Story and Interview in July Issue of HIM Magazine

Logan Lynn in HIM Magazine - July 2014 Issue

I’m one of the cover stories in the July issue of HIM Magazine, which just came out yesterday. We talk about everything from music and love, to growing up in a non-affirming Christian church, to surviving the violence of my youth and the near-fatal addiction (and triumph over said addiction) which followed.

Read the interview online HERE or you can read the full transcript below.

From HIM Magazine (July 2014 Issue):

Him Magazine July 2014 Edition

“From Preacher’s Kid to Pop Artist: An Interview with Gay Musician Logan Lynn”
By Dominique Robbins
(Photos by Adrian Sotomayor Photography and Leonard Martin Hughet)

Logan Lynn is an American singer, songwriter, and producer. His music pushes the boundaries of what we call “pop” and it challenges us to look inside ourselves and find that person within. His latest album “Tramp Stamps and Birthmarks” give us a little glimpse of who Logan is as an artist and as a human being. With songs like “Turn Me Out” which focuses on his sexual side and even his cover of “Nobody Knows the Trouble I’ve Seen” which gives us a glimpse of his singing background growing up in church, it is safe to say that Logan is well rounded and well brought up. Growing up a Preacher’s kid with a dad who had an on the road ministry to being Read the rest of this entry »

Logan Lynn’s New Video Featured on End Hits Blog Weekly Music Video Wrap-Up

Logan Lynn Radio Silent Music Video by Runn Shayo (2014)

Thanks to Ned Lannamann and the kids at The Portland Mercury’s End Hits music blog for including my new video “Radio Silent” in this week’s Video Vriday music video wrap-up. It’s only been out for 3 days and already 7,000 of you have watched it!

Check out the video online at End Hits HERE or read what they had to say just below.

From End Hits: (6/13/14)
“Just in time for Pride weekend, here’s Logan Lynn’s latest video, for his tune “Radio Silent” from Tramp Stamps and Birthmarks. Lynn (who, full disclosure, is also a Mercury contributor) shot this with filmmaker Runn Shayo over the course of a summer tour last year with fellow queer artists Big Dipper, Conquistador, and others, and the video features clips from shows across the country and snapshots from life on the road.”

Logan Lynn and UK Rugby Star Ben Cohen in Portland (PHOTOS)

Ben Cohen (2014)

So here I am with UK Rugby Star Ben Cohen at The Nines Hotel in Portland last year:

photo

Ben posted this photo on his Twitter last night and I woke to literally thousands of new followers — mostly queer men who are in love with Ben (and, apparently, my beard).

Cute, right?

;-)

Ben Cohen Tweet to Logan Lynn

Just sayin’…



 

 

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COMMENTS


  • Logan: Thanks Anthony! I promise to come to your neck of the woods when my record comes out next year, dear. xx
  • Anthony Bowen: Hey Logan! I love everything you do! Keep it up! P.s. Come to Phoenix??
  • Ritchie: Last year was mind blowing. This year’s lineup looks just as good if not better. Just got our tickets.
  • Jaime Keller: Congratulations on the mainstream discovering you. Bout time!
  • Jackie: Best cover ever.
  • kira: beautiful
  • George V.: Hooray you are playing NYC!
  • Logan: Thanks Flava Flav. ha ha ha
  • DeeJay FlavAFlav: P.R.E.T.T.Y.
  • Danielle: This kicks ass.