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Sep 30, 2014 0
My new video premiered this morning on the Vortex Music Magazine site. It is an homage to my family and community, and is about surviving together in the face of grief and loss.
In light of the past few years of losing some of our own, it has been clear that our love — and their love for us — continues to hold my family together, long after they have gone.
Thank you to my uncle David for capturing tons of old family movies decades ago. It is such a special thing to have living images of my grandparents, of my beloved family (Pat, Scott, Steve, Debby, Colleen, Mildred, Loy, Teresa, Gene and others) to build this story around.
…and for those of you in my community who have ever felt oppressed by the world, I hope you are also enveloped by hope, and that love is winning in your life.
Check out Pastor Lynn on the Vortex Music Mag homepage HERE:
Sep 27, 2014 0
Exclusive Premier of Logan Lynn’s New Video “We Will Overcome” at Vortex Music Magazine This Tuesday
Vortex Music Magazine is hosting the exclusive premier of my new music video “We Will Overcome” this coming Tuesday, September 30th! They interviewed me today for the release, too.
Visit www.vrtxmag.com Tuesday to check it out.
Here’s a still from the video to tide you over…
Sep 3, 2014 0
In advance of a highly publicized festival showcase in Austin, Texas alongside Austra, Trust, Big Freedia and Mykki Blanco at Stargayzer Festival on Sunday, September 14th, Portland indie pop musician (and Dandy Warhols protégé) Logan Lynn is releasing the first two songs from his upcoming new record next week on 9.9.2014. The full album is slated for release in 2015.
A departure from the electronic sound Lynn has built his career around, “We Will Overcome” finds Logan Lynn and his band in a more organic space, pulling on influences that range from Ziggy Stardust-era Bowie to Fun and Elliott Smith.
Lynn debuted this new sound last year when he released a critically-acclaimed cover of Miley Cyrus’ “We Can’t Stop”, which New York Magazine called “Dreamy” and “Guitar-heavy” and The Huffington Post described as “warm” and “bolder than the original”. Since the release of “We Can’t Stop” Read the rest of this entry »
Sep 1, 2014 3
A stunning new documentary, “Heaven Adores You“, about the life and music of Elliott Smith, has just started making the festival rounds. I had the pleasure of privately screening the film this past week in advance of upcoming public showings in Detroit and Portland, and I suggest you go see it the first opportunity you get.
The film is an intimate tribute to Elliott Smith’s greatness and light, told by his closest friends and collaborators, and woven through original music and stories from his time in Portland, New York City and Los Angeles. “Heaven Adores You” is a beautiful experience, start-to-finish — just as Elliott’s life was.
Watch the “Heaven Adores You” trailer, then read our conversation below.
Logan Lynn: I just finished the film, which I watched through a mix of tears and laughter – very appropriate for the man it is about, I’d say. The music is such a big piece of the story, and you used it expertly. How did you decide which songs to use?
Kevin Moyer: It was such an honor to be able to use Elliott’s own music, and of course it was also crucial for us because we have said all along we wanted the focus to be on his creative output rather than more sensational aspects of his life and death. But have to also show his life if you are intending to show Elliott progressing as an artist, so we did that again using the music as the anchor — as the tent poles for the journey. We take you through his life by using the music he created and the albums he released as the kind of life chapters or sections of the film, starting with music he made as a young kid in Texas all the way up to the album he was working on when he died. We you where he was at when creating each one and we used those physical and tangible artistic achievements as the musical check points to tell the story. We wanted to use stuff that would be new and interesting to the existing fans who can be very hardcore and already knowledgeable of almost everything he ever did, balanced with stuff that was already familiar to the casual fan who only slightly knew his music, and also include stuff that was accessible and representative for the people who had never heard his music at all. And we wanted to also show his progression as a song writer.
Moyer: You can feel his sound forming and his evolution as an artist as you move through the film. I got to look into the vaults of both labels (Universal and KRS) and spent a good amount of time with friend and Elliott archivist Larry Crane, too. Basically, I dug through lots and lots of music and then narrowed it down to just the stuff that that I thought would be interesting and most relevant for us to use — probably about 150 tracks or so — and then that’s what I brought to the team; stuff from both labels, as well as stuff from friends, his high school days, his childhood in Texas, tapes from rehearsals, live performances, alternate versions of studio recordings, etc. I slowly began sending them to Nickolas (Rossi) who was huddled up in New York editing the footage together to tell the story. Every morning for about two weeks I would send him a batch of tracks — usually stuff he had never heard before, two or three songs at a time — because I wanted to give them each space to breathe so they could each be considered on their own accord. With each one, I’d tell him how I felt it might fit with different things we were discussing, what energy or vibe it might bring, what the lyrics might help to showcase, and so on. On his end, Nickolas compiled all of what I was sending him and then he did the same and put them through his own creative filter…
Nickolas Dylan Rossi: The short answer of course, is that some of these tracks were chosen for personal reasons, some for utilitarian reasons, but more often than not, they were the melody and the words that paired best with the visuals for the feeling that I had experienced while listening to Elliott that I wanted to share with an audience. The music is one of the main characters in the film, as are the locations. Throughout the process making the film, Read the rest of this entry »
Aug 16, 2014 0
As most of you already know, my band boys and I have been hard at work on a new record since last year and, while the full album will not be out until sometime next year, we are releasing two brand new songs as a sneak peek of what’s to come next month!
Pre-order your copy HERE.
I’m thrilled to be working with Los Angeles-based artist Ian O’Phelan on the cover art this round. Check out more from Ian on his website HERE.
Logan Lynn: “We Will Overcome”
Releases: Tuesday, September 9th, 2014
1. We Will Overcome
2. Break Me Down
Lyrics and Vocals: Logan Lynn
Guitar and Keys: Gino Mari
Produced by Gino Mari.
Recorded and Mixed at The Country Club Studios, Portland, Oregon.
Mastered by Stephan Hawkes at The Breakroom Studios, Portland, Oregon.
I am so excited for you all to hear what we have been up to! Stay tuned…
Jun 14, 2014 0
Thanks to Ned Lannamann and the kids at The Portland Mercury’s End Hits music blog for including my new video “Radio Silent” in this week’s Video Vriday music video wrap-up. It’s only been out for 3 days and already 7,000 of you have watched it!
Check out the video online at End Hits HERE or read what they had to say just below.
From End Hits: (6/13/14)
“Just in time for Pride weekend, here’s Logan Lynn’s latest video, for his tune “Radio Silent” from Tramp Stamps and Birthmarks. Lynn (who, full disclosure, is also a Mercury contributor) shot this with filmmaker Runn Shayo over the course of a summer tour last year with fellow queer artists Big Dipper, Conquistador, and others, and the video features clips from shows across the country and snapshots from life on the road.”
Jun 10, 2014 0
Remember last summer when I toured the U.S. with Big Dipper and Conquistador? Well, a filmmaker named Runn Shayo was on tour with us, too — and he filmed all the best parts, which we have compiled into a sweaty, sexy, not-safe-for-work, romp of a music video for my new single “Radio Silent”!
May 25, 2014 2
As many of you already know, we have a new music video coming out June 10th, but in the meantime, an artist named Dandy Jon has created a series of drawings inspired by the old A cappella spiritual cover I released on my last record and he has turned those drawings into a video, which we just released.
Behold: “Nobody Knows The Trouble I’ve Seen”
To look at all of the drawings used in the video, click HERE.