The “Clean & Stupid” E.P. is my long-lost 5 song demo which caught the attention of The Dandy Warhols in 2007 and led to a record deal with Caroline/EMI a few months later. Four of the tracks were remade for my 2009 major label release “From Pillar To Post”, but the title cut “Clean & Stupid” landed on the cutting room floor when that record was put out. We only made 50 CD copies of this demo and have, for years, thought it would never be found again. A couple weeks back I found this one copy on Ebay, bought it, and now it can be yours!
Happy downloading, friends! Click the album cover below to listen FREE and purchase.
1. Bleed Him Out (Demo)
2. Clean & Stupid (Demo)
3. You Win The War (Demo)
4. Alone Together (Demo)
5. Feed Me To The Wolves (Demo)
Logan Lynn: “Clean & Stupid”
Lyrics and Vocals: Logan Lynn
Programming: Carlos Cortes
Produced by Carlos Cortes
2007 Logan Lynn Music
Whoa! Portland Monthly Magazine picked my record “I Killed Tomorrow Yesterday” as one of their top 15 records to give as gifts this holiday season and had some really nice things to say about me! So cool.
Well, folks…it’s been a year and a half since I went on hiatus from music world and it’s been really good for me. I’ve immersed myself in activism and community work in Portland and have managed to stay put for a second. A lot of happy stuff has come into my life as a result of my deciding to sink the boat I was on before and I don’t ever regret having done so. It needed to happen and while at the time many people thought I was fucking crazy, as it turns out, it was the right choice. ALL of it.
With a little bit of distance between the stress of constantly touring and my everyday life now I have been able to separate the parts of the music industry I like from the parts I do not. In many ways I have gone back to how it was in the beginning—no pressure, no competition, no financial motivation to be more “mainstream” or “successful”—just me, my feelings, my keyboard, a pen and some paper. It’s been lovely to get back in touch with why I started off on this career path in the first place. In searching for that I seem to have accidentally unblocked myself and have, over the past 18 months, written a new record-one which I am already proud of and so excited to make.
I have already reached out to a few different folks who I want to work with on this one. I’m not going to set up shop with just one producer for the project. I am thinking of it as a chance to collaborate with a variety of talented people on a variety of tracks, then see where it lands. There are no rules anymore so it’s really just about the music. I don’t care how famous you are or who you’ve worked with in the past. If I’m inspired by your work, you’re in. If I’m not, you’re not.
If you would like to work on this new record with me and are interested in throwing yourself into the mix of potential producers, send an email to Logan@LoganLynnMusic.com with up to 3 original, unreleased instrumental works attached in MP3 format. Any genre is fine. Push me out of the box I’ve been living in if you dare! The only thing that is non-negotiable with this project is that YOU MUST BE THE OWNER OF THE SUBMITTED MATERIAL. I will be listening to all of your tracks over the course of November and will be identifying people from there.
Really looking forward to hearing from you. I don’t know about you but I’m feeling better than I have in years and it’s coming through in these new songs. Let’s make something pretty together!
“Another video to keep an eye out for is Logan Lynn’s ‘Quickly As We Pass.’ Imagine forward-thinking Imogen Heap mentoring a DIY artist with the hipster sound stemming from Brooklyn. The end product would be ‘Quickly As We Pass‘. The track’s video is very cleverly done with stills looking like cutouts then being turned into 3-D objects, as they are filmed from different angles. Also, there is footage of neighborhoods in the Windy City with many of the spots being instantly recognizable. Not only is the video well crafted, but the song itself is very catchy. Lynn is based in Chicago and is openly gay. ‘Quickly As We Pass‘ can be found on the album ‘I Killed Tomorrow Yesterday‘.
Nice huh? I’m actually based in Portland but I love that Chicago wants to claim me! So cute!!! To read the full article, CLICK HERE.
This 18 song remix collection has brought my “From Pillar To Post” record from 2009 to new life! From dubstep to booty house to vintage disco to techno these cuts don’t let up. Featuring remixes by Styrofoam, Flufftronix, The Gentry, Boy In Static, Y-Tron, Strobe Party!, Daniel Cartier, Ariake Waveband, Odd Year, Naked Highway, Sound///Audio, Jimi Python, Very International Love, Bad Life + Gadgets, T Vicious, Supercorsa, Neapolitan Beard, and Digital Intruder. These tracks have only been available during the “From Pillar To Post” pre-release until now and this has 2 brand new tracks never before released!!!
To purchase from CD Baby, click the album cover below.
Logan Lynn: “Blood In The Water” (2011)
1. Feed Me To the Wolves (Flufftronix Remix)
2. Alone Together (Boy In Static Remix)
3. Write It On My Left Arm (Y-Tron Remix)
4. Bottom Your Way To The Top (The Gentry Remix)
5. Burning Your Glory (Strobe Party! Remix)
6. Bleed Him Out (Styrofoam Remix)
7. Feed Me To the Wolves (Daniel Cartier Remix)
8. Write It On My Left Arm (Ariake Waveband Remix)
9. If He Hollers (Odd Year Remix)
10. Bottom Your Way To The Top (Naked Highway Remix)
11. Feed Me To the Wolves (Sound///Audio Remix)
12. Burning Your Glory (Jimi Python Remix)
13. Bottom Your Way To the Top (Very International Love Remix)
14. Write It On My Left Arm (Bad Life + Gadgets Remix)
15. Burning Your Glory (T Vicious Remix)
16. Feed Me To the Wolves (Supercorsa Remix)
17. Bottom Your Way To the Top (Neapolitan Beard Remix)
18. The Dotted Line (Digital Intruder Remix)
New music Tuesday has brought with it another brand new music video! This time for a remix of my song “Burning Your Glory” that was just officially released on the new SCHLOCK! record “Star Whores” (2011). The video was Directed by Tony E. Valenzuela and stars Taryn Southern as a psycho killer with a conscience. Filmed by Andrew Seely & MusicKillsKate and edited by Tony E. Valenzuela & Anthony Huang with additional editing & sound design by Gianluca Licciardi.