A bunch of my songs are featured on this week’s episode of Homoground queer music radio alongside Michael Perry, Joseph Mulhollen, and Mike Hamel. I lead in the show and they talk about me for a little while after the 1st song. Cute!
Check it out over at the Homoground website HERE, download it free from iTunes HERE (episode #076), or just press play below.
Exciting news! I’m going into the studio next week with Bill Wadhams, lead singer of Animotion, to re-record vocals for the Animotion remake of my song “Turn Me Out“. The track will be the flipside to my upcoming single “Do You Want Me Or Not?“, out September 25th. This new single is the 2nd pre-release from my new record, “Tramp Stamps and Birthmarks“, coming December 4th.
I’ve loved Animotion since I was a kid, so working with them on this is really special. Click on the picture below to go to their website and watch the video for their song “Obsession” below that!
My new single “Do You Want Me Or Not?” comes out 3 weeks from today (on Tuesday, 9/25/12)! This is the 2nd track off of my upcoming record “Tramp Stamps and Birthmarks”, which is coming out on 12/4/2012.
Listen free and Pre-Order your copy here now by clicking on the single cover art below.
1. Do You Want Me Or Not?
2. Do You Want Me Or Not? (Instrumental)
3. Turn Me Out (Animotion Remix)
Lyrics & Vocals: Logan Lynn
Music & Programming: David Appaloosa
Produced and Engineered by Gino Mari at The Country Club Recording Studios, Portland
Mastered by Stephan Hawkes at The Breakroom Recording Studio — Portland, Oregon
Check it out! Electronic music site Dancefloor Mayhem hosted a remix contest for a couple songs off my new record “I Killed Tomorrow Yesterday” in October and they announced the winners today. You can download the MP3 originals + winning remixes of “Quickly As We Pass” and “Velocity” by clicking HERE.
The reaction to my new record in the press has been really great so far. Lots of love from Europe again this time around! The latest installment is an interview I did with German Queer music and politics blog CATCH FIRE! They went live with it today alongside a free MP3 download of “Smoke Rings” (song 2 on “I Killed Tomorrow Yesterday“). You can read it via their site HERE or just keep reading below for the full transcript.
From CATCH FIRE: (11/2/2010)
“After going on US tour this summer, Logan Lynn, the winner of last year’s Queer Video Music Award, has announced in August that he would be taking an extended break from the music industry and leave “Beat The World Records”, a label founded and led by the Dandy Warhols. Instead he released his fourth record “I Killed Tomorrow Yesterday”, the follow-up to “From Pillar To Post” independently in August, donating 100% of his profits to Portland’s Q Center where he is currently working. What led the songwriter to all these decisions and how they influenced his life he explains in an interview I did with him via email during the last two weeks. I also posted “Smoke Rings”, another track from “I Killed Tomorrow Yesterday” right below this introduction – the track is the perfect background music for the following text. A second free song from the album called “Things Are Looking Up” can be found in one of October’s Music Tickers.
(DOWNLOAD “SMOKE RINGS” FREE BY CLICKING HERE!)
Catch Fire: What interests me first of all is the question if you’d consider your new album “I Killed Tomorrow Yesterday” a “conceptual album”. To me especially compared to the stuff you’ve done before it seems very consistent, as if the decision to do this kind of eighties-pop-influenced dance music may have been a very concious decision.
Logan Lynn: Yes, both the producer Bryan Cecil and I wanted to make a dance record. We had worked together on my cover of “The Last High” by The Dandy Warhols from January of this year. The idea of doing some vintage disco dancepop take on that song was deliberate and we wrote “I Killed Tomorrow Yesterday” at the same time so we were already planted in 80’s dance party mode. Obviously I’m a child of the 80’s and 90’s and that comes out in what I listen to and what I create. Bryan wanted it to be authentic, like a time machine and I wanted it to sound like what I grew up imagining my records would sound like someday.
We ended up doing exactly that so it seemed like a perfect time to step away for awhile. The record is about me being totally disillusioned and leaving. Not sure if life imitated art or vice versa…but I’m much, MUCH happier ever since I did the whole career suicide bit in August. The overall concept was to have a big, spectacular going away party. “Fall Into New Arms” was chosen as the last track just in case it was literally the last song I ever put out. I’m not saying that it will be…but I could live with that.
Catch Fire:What exactly does “career suicide“ mean? What happend in August?
Logan Lynn: I spent the last 3 years signed to The Dandy Warhols owned and operated “Beat The World” records label and it ended up Read the rest of this entry »