It’s Halloween tomorrow and my new video “Tramp Stamps and Birthmarks” premiers tonight at Midnight, but you can watch it here first! This is the title cut from my record by the same name and is the 4th and final single from that album. The song is about power and control and being shackled to my experience in the world, so we tried to portray that by way of this psycho-sexual short film.

I shot the video in Portland with Hippodrome Films and I am really happy with how it turned out. Thanks to the folks at Hippodrome for taking such good care of me (and my song).

Have a look here:
Logan Lynn: “Tramp Stamps and Birthmarks” (2013)

Video Credits:
Cast: Logan Lynn & Robert D’Esposito
Kevin Forrest: Co-Director and Director of Photography
Ben Starkey: Co-Director and Editor
Josh Smith: Gaffer and Grip
Emily Yurek: Art Director
Kelly Raine: PA
Produced by Hippodrome Media

Song Credits:
Lyrics and Vocals by Logan Lynn.
Music and Programming by Spencer Lee Carroll.
Produced and Engineered by Gino Mari.
Recorded & Mixed at The Country Club — Portland, Oregon.
Mastered by Stephan Hawkes at The Breakroom Recording Studio — Portland, Oregon

Listen and Download “Tramp Stamps and Birthmarks” on iTunes, Amazon, Bandcamp, CD Baby and SoundCloud.

My cover of “We Can’t Stop” (Miley Cyrus) is featured today on Huffington Post Entertainment and HuffPost Gay Voices!

I’m in really good company on the Gay Voices homepage today as well. Click the screenshot below to read the article, or keep reading below for the transcript:

From The Huffington Post: (9/16/2013)

“Logan Lynn Covers Miley Cyrus’ ‘We Can’t Stop’ (VIDEO)”

Portland-based openly gay musician Logan Lynn is known for his dance and electronic music, but lately his sound has taken a different direction with his latest single, “Everything You Touch Turns To Gold“.

Now he’s released a free download of his cover of Miley Cyrus’ hit single, “We Can’t Stop” that continues his foray into a bold new direction.

Lynn has been releasing music since 2000. He gained national recognition when his music and videos were played on Logo TV, and while he may be known for his electro-emo music, on his website, he speaks about his new sound and breaking away from the music for which he’s historically been known:

‘You may notice that this cover (and my latest single, released 8/13) are a bit of a departure from the electronics I’ve become synonymous with over the course of the past 15 years. These are just a glimpse into the new direction I’m headed in sonically. I have to keep changing things up or I get bored. This round I’ve put down the dance music a little and Gino has been playing all kinds of instruments instead. It’s been turning out really warm and special so far as a result. I figured this cold, dead pop song was the perfect thing to try and bring to life. Don’t get me wrong — I actually really like Miley’s version, too…but it’s not particularly warm.’

So if Cyrus’ song has grown a bit stale after hearing it played everywhere for the past few months, then check out Lynn’s version to get a “warmer,” different take on this mammoth hit.”