Logan Lynn by Ingrid Renan (2017) My Movie Star
 

LOGAN LYNN

  

“From Pillar To Post” Turns 10 This Year!

I can’t believe my major label disaster From Pillar To Post turns 10 this year!

Not the greatest time in my life, as anyone who was even remotely tuned in back then will recall, but this record — and the signing that came with it — definitely gave me hope and something to live for while I was in, and then fresh out of the rehab that finally took.

Lots of really great people believed in me right then and gave me so many opportunities to become someone I just ultimately didn’t want to become. Looking back now it feels hard to imagine that person navigating all that he was navigating without going nuts, so I cut him slack for some of the messier parts where he did.

Anyway, thank you to The Dandy Warhols, Logo, Pati DeVries and the team at Devious Planet, the team at NewNowNext, Carlos Cortes, Jeremy Sherrer, cars & trains, Jacob Portrait, Ryan Wines and the Beat The World Records Team, Sidney McCain at Caroline Records, all those goddamn suits at EMI Records, and everybody else who was in my court for that whole ride.

There are too many of you to name, and it’s taken me a full decade to even wrap my head around it all, but I know for sure that I love each and every one of you, and that experience will always be ours.

OLD PORTLAND’S LAST HOORAH! 🖤 LISTEN AND BUY HERE.

Farewell (For Now) Mitski! We Love You.

I had a super deep conversation with Mitski a couple of years ago, just before she boarded the rocket ship to Mars, and it has always stuck with me.

She’s such a powerful force, such a bright light — but also so sensitive and aware. It’s a really special mix of humanity and talent that she has so generously shared with the world, and I recall just wanting to shield her from all of what I knew was headed her way at the time.

The thing about the music industry, touring endlessly, and the commodification of one’s innermost self, is that the business model is very rarely centered around taking care of that individual’s human needs — and for anyone even remotely rooted in authenticity, navigating this shit is exhausting.

I blew up my major label deal and the career I had spent decades building back in 2010 and it was the best decision I have ever made. That pivot is ultimately why I decided I liked music again and made it possible for me to come back as my whole self later.

As Mitski the very successful artist deletes social media, hangs up her cowboy hat, and exits the public eye to become Mitski Miyawaki the person again, I hope you will all join me in wishing her well.

These stages are forever yours, darling. They’ll be here if you want them. Now go rest, feel proud, and EAT EVERYTHING.

💜💙

Logan Lynn’s “My Movie Star” Tour Debacle Featured in IndiePulse Music Magazine This Week

The entire “My Movie Star” tour debacle is featured on the homepage of IndiePulse Music Magazine today.

Click HERE to check it out on IndiePulse Music, or keep reading below for the transcript.

From IndiePulse Music Magazine: (2/16/19)

“Portland, Oregon-based musician Logan Lynn, whom anticipated an amazing journey of music and new self-discovery hits major “Pot-Hole” in planning due to unforeseen, or imaginable circumstances and has cancelled his planned 2019 “My Movie Star” North American Tour.

Logan Lynn backstage - Summer Tour (2018)

Lynn’s tour saga, which involves an international criminal scandal involving Class B RV Manufacturing giants RoadTrek and Erwin Hymer Group, was published in a statement on the artist’s website Friday, February 15th.

In an additional email sent directly to fans on Friday, Logan Lynn wrote: Read the rest of this entry »

 

WATCH


 

   

LISTEN


My Movie Star

2018 - Double LP

© Logan Lynn Music / Mohr Media


  ADIEU.

2016 - LP

© Logan Lynn Music


  Tramp Stamps and Birthmarks

2012 - LP

© Logan Lynn Music


  Everything You Touch Turns To Gold

2011 - Acoustic EP

© Logan Lynn Music


  I Killed Tomorrow Yesterday

2010 - LP

© Logan Lynn Music


  From Pillar To Post

2009 - LP

© Caroline Records / EMI / Beat The World


 

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