LOGAN LYNN

  

Quarantine Shows: Bottom Your Way To The Top LIVE from Home

It’s the weekend again (I think) so I figure it’s time to party. This was the first single of mine that Caroline Records / EMI released in 2009.

It’s a song about butt sex and I have no idea why anyone at the label or at MTV thought this was the track to lead with, but of all the gay stuff I’ve done in my career, this still might be the gayest. 🏳️‍🌈

JUST OUT NEWSWEEKLY INTERVIEWS LOGAN LYNN ABOUT “QUICKLY AS WE PASS” + HIATUSES!

The kids over at Portland Newsweekly Just Out ran a mini-interview with me this week about a whole mess of messy stuff and posted my new video on their site! You can check it out by clicking the current issue cover below or keep reading under that for the transcript…

From Just Out: (4/4/2011)

Unless you’ve been living under rocks and/or endlessly napping the past few weeks, you’ve probably heard/read about Logan Lynn‘s excellent new video, the visually intriguing (stunning, even) “Quickly As We Pass.” A nostalgic blend of live action people and more two-dimensional, still cut-out counterparts (oh, how art mirrors life) make their way through cityscapes, streets, buildings, living rooms, bedrooms–and even get naked. Fitting for a song that talks about waking up “clothed in our right minds and nothing else.” As usual, Lynn takes the ordinary, the banal, mixes it all up, and turns out five minutes of salacious sensory overload. Like us, you’ll probably have to watch the video a few times before catching everything that’s happening–and even then you’ll be hard-pressed to soak up every bit, every quirk.

Just Out caught up with Logan and talked briefly about retirements and MTV. On his much-discussed hiatus, Lynn, who now helps lead the gay crusade at Q Center, opines: “I think people were always cynical about my motives for going on hiatus–like it was a big publicity stunt a la Cher where I was planning to pop out of a cake in 6 months with a new band and a world tour. I really did take the break because I needed to, and always said I was planning on turning music back into a hobby rather than my job. This is what that looks like. I got rid of the parts (and people) that were making me miserable a year ago and have spent the time since cultivating a personal life and rediscovering the parts which were enjoyable to me.”

On the fruitful video collaboration: “The director, Jeffrey McHale, and I had worked together on my ‘Bottom Your Way To The Top’ video in 2009, so the collaboration was a no-brainer. He’s a visionary.” Regarding wanting our MTV, and altering content a bit for MTV’s audiences: “These days MTV means Logo, VH1, & MTV2, but I have an artist page on MTV.com where I’m sure it will end up as well. They have always been very supportive of me and continue to be. I will say we are having a lot of edits from standards and practices this time around though. Evidently life-size cardboard cutout porn is a no-no for mainstream America. Who knew?”

The video and song, both vintage Logan Lynn–you’ll recognize the first beat and lyrical declaration, “no good deed will go unpunished”–are refreshing returns to electronic-pop form and the visual stylings fans know and love. (Read: there’s no band this time around.) So, dear readers, grab your best headphones and cozy up for awhile with “Quickly As We Pass.” Pay attention to the lyrics. You’ll be surprised by how well Logan Lynn gets you. And although we’re super sad he didn’t pop out of any cakes–we’re glad he’s “back.

-Daniel Borgen, Just Out Newsweekly

LOGAN LYNN INTERVIEWED BY GERMAN QUEER MUSIC + POLITICS BLOG, CATCH FIRE! FREE MP3 DOWNLOAD!

The reaction to my new record in the press has been really great so far. Lots of love from Europe again this time around! The latest installment is an interview I did with German Queer music and politics blog CATCH FIRE! They went live with it today alongside a free MP3 download of “Smoke Rings” (song 2 on “I Killed Tomorrow Yesterday“). You can read it via their site HERE or just keep reading below for the full transcript.

From CATCH FIRE: (11/2/2010)

After going on US tour this summer, Logan Lynn, the winner of last year’s Queer Video Music Award, has announced in August that he would be taking an extended break from the music industry and leave “Beat The World Records”, a label founded and led by the Dandy Warhols. Instead he released his fourth record “I Killed Tomorrow Yesterday”, the follow-up to “From Pillar To Post” independently in August, donating 100% of his profits to Portland’s Q Center where he is currently working. What led the songwriter to all these decisions and how they influenced his life he explains in an interview I did with him via email during the last two weeks. I also posted “Smoke Rings”, another track from “I Killed Tomorrow Yesterday” right below this introduction – the track is the perfect background music for the following text. A second free song from the album called “Things Are Looking Up” can be found in one of October’s Music Tickers.

(DOWNLOAD “SMOKE RINGS” FREE BY CLICKING HERE!)

Catch Fire:
What interests me first of all is the question if you’d consider your new album “I Killed Tomorrow Yesterday” a “conceptual album”. To me especially compared to the stuff you’ve done before it seems very consistent, as if the decision to do this kind of eighties-pop-influenced dance music may have been a very concious decision.

Logan Lynn: Yes, both the producer Bryan Cecil and I wanted to make a dance record. We had worked together on my cover of “The Last High” by The Dandy Warhols from January of this year. The idea of doing some vintage disco dancepop take on that song was deliberate and we wrote “I Killed Tomorrow Yesterday” at the same time so we were already planted in 80’s dance party mode. Obviously I’m a child of the 80’s and 90’s and that comes out in what I listen to and what I create. Bryan wanted it to be authentic, like a time machine and I wanted it to sound like what I grew up imagining my records would sound like someday.

We ended up doing exactly that so it seemed like a perfect time to step away for awhile. The record is about me being totally disillusioned and leaving. Not sure if life imitated art or vice versa…but I’m much, MUCH happier ever since I did the whole career suicide bit in August. The overall concept was to have a big, spectacular going away party. “Fall Into New Arms” was chosen as the last track just in case it was literally the last song I ever put out. I’m not saying that it will be…but I could live with that.

Catch Fire: What exactly does “career suicide“ mean? What happend in August?

Logan Lynn: I spent the last 3 years signed to The Dandy Warhols owned and operated “Beat The World” records label and it ended up Read the rest of this entry »

 

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LISTEN


Rich and Beautiful

2020 - Single

© Sony ATV / Logan Lynn Music


Unpeeled (LIVE)

2020 - Acoustic EP

© Banana Stand Records


Name Your Trouble

2019 - Single

© Netflix / Logan Lynn Music


My Movie Star

2018 - Double LP

© Logan Lynn Music / Mohr Media


  ADIEU.

2016 - LP

© Logan Lynn Music


  Tramp Stamps and Birthmarks

2012 - LP

© Logan Lynn Music


  I Killed Tomorrow Yesterday

2010 - LP

© Logan Lynn Music


  From Pillar To Post

2009 - LP

© Caroline Records / EMI / Beat The World


 

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