(Originally Published on The Huffington Post on 4/6/2012)

I don’t do well with death. My coping skills are still lacking around anything related to loss in general, actually — but death, I just… can’t. It’s been this way since I was a boy. The idea that everyone I have ever loved will someday be taken from me (or I from them) terrifies me and is a concept I have largely refused to look at for as long as I can remember. Death, in my personal psychology, as in life, is the final frontier.

This week when I got the call from my broken-hearted mother that her sweet sister, who had fallen ill with a mysterious condition a few months ago, was being moved from hospital to hospice, I was overcome with sorrow. My usually manageable, small, wooden feelings about death and loss were suddenly made large, alive and uncontrollable. What I am most afraid of was here, once again, greeting me head-on in the living room. I turned back into the terrified child version of myself that lives inside me while my mother and I cried on the phone together. During the really hard parts I tried not to hear what she was saying, and instead focused on the sound of my own sobbing. It didn’t work. I took in every painful word.

My brain absorbs news like this in slow motion. It hits me in tearful waves, fades to the background, then jumps out again at the strangest times. I feel a deep connection to this planet by way of my family and the love we all share for each other, and I am sad that some of that love might be moving to another part of the universe. I’m selfish in this way. I want to keep all of you close forever. Anything else just seems too cruel to imagine and, well…This has been my reality for three days now.

A few years ago I was given a book called To Bless the Space Between Us, by John O’Donohue. I have pulled it out a few times over the years when I can’t find ways of relating to the world, and it has helped me form thoughts around some of the stuff I’m just no good at thinking about. This week was one of those times. In a passage about death from the book, O’Donohue writes:

“From the moment you were born,
Your death has walked beside you.
Though it seldom shows its face,
You still feel its empty touch,
When fear invades your life,
Or what you love is lost
Or inner damage is incurred.

That you would gather yourself
And decide carefully
How you now can live
The life you would love
To look back on
From your deathbed.” Read the rest of this entry »

(Originally Published on The Huffington Post – 1/2/2012)

The first 12 years of my career were spent writing songs about loss and longing, so in some way I suppose I owe the fact that you are even reading this on The Huffington Post to my own unhappiness. Historically, I have felt most at home in heartbreak, both in art and in life. It’s largely what I knew growing up, so everything else felt foreign and wrong as an adult. For years, people being kind to me felt painful. I was terrified of anyone actually knowing me. It’s pretty fucked-up — and I still struggle with this. It’s a jagged part of my makeup that I will most likely be working on for the rest of my days.

I first learned about how sad the world can be when I was 7 years old, courtesy of a much older family “friend” who just couldn’t keep his hands off me. I won’t get into the specifics around the abuse suffered, but it was ongoing and horrible and went undetected for many years. The scars from this experience in my formative days have done just that: they formed me. They changed who I was and how I looked at the world, and they altered my sense of self at its core. All of this was complicated by the fact that I also happened to be a gay man born into a fundamentalist Christian home. It was a perfect storm for me to go completely apeshit, which I did.

I began experimenting with drugs and music around the same time, both before my 11th birthday. By 14 I was a full-blown, cigarette-smoking, drug-addicted alcoholic with headphones and a notebook who fancied himself a singer-songwriter. Those same old scars now rooted me on as I built an impenetrable wall of sadness and sound around myself. They gave me words and melodies to purge the feelings that could not be killed chemically, and I began seriously writing and recording music when I was 17. Those first songs would become my debut record, GLEE, which was released in 2000. At the time of its initial release, nobody knew what I was trying to do. I recall a lot of head scratching and people being really uncomfortable with the lyrical content, mostly, so I decided to take a break and focused solely on partying my brains out for the next five years.

In 2006, prompted by more unfortunate heartbreak of the drugged-out variety, I Read the rest of this entry »