LOGAN LYNN // SOFTCORE

  

Whoa. 2019.

For a year that included me having to fight multiple tech companies in and out of the press for protecting trolls and profiting off of abuse, a full blown RV manufacturing scandal and international media tour that I inexplicably found myself at the center of as a RoadTrek owner, and a major integration back into society after 9 months of off-grid misadventuring at the beach, I love that my 2019 still somehow managed to be all about pop stars, very pretty clothes, building rad shit with my favorite people, responding to hate by going punk on systems change, having my songs somehow make their way into the mainstream, signing to a new label, and the beauty of nature in spite of it all.

If you’re reading this, fuck yes. I love you. Thanks for being here. 🖤

Feature Story and New Interview with Logan Lynn in November Issue of Starry Constellation Magazine

Thanks to Starry Constellation Magazine for interviewing me for their current issue. We talked about music, Hollywood, recovery, men and so much more. Check out the online version HERE, or just keep reading below for the full transcript.

From Starry Constellation Magazine: (11/9/18)

Q) How would you describe your sound?

A) This answer has really changed a lot over the years. When I started out in the late 90’s I was all about this ‘Putting the Disco back into Discomfort’ tagline, which was evident in both my music and behavior at the time. The electronic period that followed was also a time in my career where I was signed to a major label and several indies, so I had other people describing my sound a lot, trying to help “shape” my sound, all of that bullshit. Ever since breaking out on my own again I’ve felt really free to do whatever the hell I want, work with whoever I choose, and follow creative whims that have taken me down a bunch of different sonic paths that I honestly never would have been allowed to go down if I were still making records for other people. So, people know me as this electronic emotional dance pop dude because that’s what my records were from 1998-2012. My last album was just full-on college rock — an homage to all of the bands and songs that actually shaped me — and that led to this very stripped down, intimate situation I find myself in currently. Jesus, that was a long way of saying “piano pop.” [laughs] Read the rest of this entry »


// MUSIC VIDEOS

 


 


 

// SOFTCORE (2024)

 

 

 


 

// R+R CITY (2023)

 

 

 


 

// DISTRACTED (2023)

 

 

 


 

// NEW MONEY (2022)

 

 

 


 

// KRS30YRS (2021)

 

 

 

 

 

// CONNECT

 

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