I was interviewed by the Underneath This Feminist Blog this week. Read our chat on their site HERE or read it below.

From Underneath This: (3/27/2013)

“Logan Lynn is a musician who is gay-identified. He has been writing and making music for a decade and a half. His videos have appeared on LOGO and MTV and he has played across the globe. From 2010 until 2012, Logan took a hiatus from music to devote himself professionally to LGBTQ advocacy at the Q Center in Portland. Logan donated sales from his album, “I Killed Tomorrow Yesterday to the Q Center. In 2012, he returned with the single, “Turn Me Out.”

Logan’s latest music video, “Hologram” can be viewed and heard at http://youtu.be/_fa5WgqY6cA (it is really great!). To access Logan’s music videos, please visit: http://www.YouTube.com/LoganGLEE. Please check out https://www.loganlynnmusic.com for more information about Logan.

Underneath This recently interviewed Logan about identity, music, feminism, as well as the media’s coverage of LGBTQ artists.

What was the process of becoming a musician like for you?

It was a pretty natural progression. I was raised in a fucked up Christian cult that didn’t allow instrumental music, so I was trained as an A cappella vocalist from very early on. When I escaped as a teenager, I fell into the downtown Kansas City 90′s party/rave scene and started spinning records. Then, when I moved to Portland in ’96 I met The Dandy Warhols, Elliot Smith, and immersed myself in the Portland music scene. I recorded my first record “GLEE” from 1998-1999 and it was released in 2000. From there, I slowly got my shit together bit by bit until I finally got signed to Caroline/EMI in 2007. I was on the label for 3 years and have only just last month regained the rights to the masters from that time. I’m going to be re-releasing “From Pillar To Post” and “The Last High” sometime this year, but for now they are out of print…and I am officially free once again! I released my new record “Tramp Stamps and Birthmarks” in December myself, and it’s been really nice to not have anyone telling me what to do, how to be, and who I need to be around. My major label experience was Read the rest of this entry »